So 2014 is almost over, and I’ve decided to put together a playlist of some of my favorite songs this year. Picking favorites is the hardest thing for me to do, especially with music because I love so much. I actually have a never-ending playlist that I add onto with favorites, but I’m going to filter it down for you guys, and give you some of my favorites of the year so far!
“Rather Be” – Clean Bandit ft. Jess Glyne
So for one of my classes at Ohio University last Spring, we got to venture down to SXSW. We spent the week seeing shows, attending panels, and meeting with individuals in the music industry, and when we got back to school, we had to present our experiences. I volunteered to put together our group’s presentation, collecting stories, videos, and pictures form each classmates, then went ahead and put everything together into a short little video recapping our trip. That was the easy part. The hard part was figuring out what song to put to the video. I’m weird, and when I only have one shot to pick a song to impress people, I spend forever making my decision. I was shuffling through my iTunes library, yes I said iTunes, and yes I still use iTunes. After about two hours of searching through my collection, all of a sudden these lyrics came through my headphones – “We’re a thousand miles from comfort, we have traveled land and sea. But as long as you are with me, there is no place I’d rather be.” The first thirty seconds described it perfectly. I spoke for our entire group, and we all felt the same way. What we experienced in Austin together couldn’t be replicated, we all had a special place in our hearts for Austin and our times together that week. Now whenever I hear this song, it immediately takes me back to Austin, Texas with some of my best friends.
“Restart” – Sam Smith
Where do I start here? I could’ve made this entire post about Sam Smith’s debut album, In The Lonely Hour. Back to SXSW, I remember planning to see him at this church one evening because I could only imagine the beauty of his voice bouncing off the tall church walls. Unfortunately I switched my schedule around, but I still got to see him perform at the MTV Woodie Awards, but from the roof of a BBQ restaurant next door. I anxiously waited for this album to release, and when it did, it was the only album that was played for the next month. Listening to the album, I was thinking it was great, and then I get to “Restart.” I was a little thrown off, as this one isn’t a slow, romantic love song, or a slow song about heartbreak. Upbeat and fun, this had me thinking of some 80s pop that I had recently got into during high school. Then all of a sudden, about three-fourths of the way through the song, I flipped out. I can’t even describe what happens, but it’s almost glitchy, but yet so beautiful, and after this section ends I find myself singing louder and dancing even more than I originally was. This actually might be my favorite song of the year, so far, and I’m not sure if something can beat it.
“Like Real People Do” – Hozier
One of the best new artists of 2014, and Hozier’s self-titled debut album was just released in the U.S. “Take Me to Church,” is their most recognizable and popular song so far, but this band is going to have many chart-toppers in the near future. This song starts off with an acoustic guitar plucking along, soon joined by Andrew’s voice, delivering soft and sweet lyrics. His voice grabs my full attention, and makes me just want to sit there and listen, forgetting about anything troubling me at the moment. “Honey just put your sweet lips on my lips, we could just kiss like real people do,” is sung, followed by a hymn-like chorus, but with a folk twist. I remember the first time I heard this song; I was just mesmerized and did not want to get up or do anything after hearing it. It brought me this happiness, this self-peace that I hadn’t found in a song for a long time.
“God’s Whisper” – Raury
I don’t even remember how I discovered Raury. Which is weird because when I discover a new artist, especially one that starts to gain popularity, I can recall the first time I heard them and how I found them. What I do remember is my initial reaction to this song. I asked myself, “how does this seventeen year old kid have all of this wisdom and emotion when he’s so young?” It’s not a bad thing at all, I was just so impressed, and when I found out he was only 17, I couldn’t have been more excited. He just released his debut album for free, Indigo Child, and to download it you had to play a video game on his website and reach a certain score to get the download link. Again, I was impressed, nobody’s done that. Then I put the whole album on my phone and listened to it as I drove from Colorado to California. I remember driving with the windows down, through a couple tunnels, and hearing Raury’s powerful vocals echo through the tunnels. It took me by storm, and gave me chills. If Kanye is giving him attention, you better be too.
“Sad Machine” – Porter Robinson
Before finding this song this summer, I had no clue who Porter Robinson was. I found this song, and was in love. I could never get into any sort of electronic music, but something changed. This was one of the first that I truly loved. The vocals are so beautiful, then all of a sudden are distorted, and the song expands and the journey begins. This song changed my outlook on music and had me appreciate so much more. His new album, Worlds, was just released at the end of the summer and it was amazing. If you like this song, you need to listen to the album. The album is a story, and “Sad Machine” is only a chapter of it. Imagine only reading one random chapter of a Harry Potter book; you might enjoy it, but put it with the rest of the project, and you’ll love it so much more. That’s the case with this song and Porter Robinson’s album.
“Slow Motion” – PHOX
This summer I spent a lot of time looking up new bands, and if I were to count the hours I would lose track. Phox is from Wisconsin, which proves they can produce more than beer and cheese. This song is the band’s most popular, but they also just released their self-titled debut album, and have a new single, “1936″ that should get some attention soon. This song is so uplifting and will definitely put a smile on your face. Monica Martin’s vocal range is shown off in this song as she quickly flips between lower and higher registers, often leaving in the cracks in her voice too, showing that she is, in fact, human.
“Hey Mami” – Sylvan Esso
This song starts off with distant wind, followed by a couple different vocal tracks singing in a round. Then Amelia comes in and sings over the original vocals, and that’s the beginning of the song; no instruments, just vocals. It’s not until about halfway done where we get some drums, chimes, and synths in addition to all of the original vocals. I remember hearing this and thinking it was such a cool approach to a song, not relying on instruments, and just using them to enhance the song’s beauty.
“Just One Of The Guys” – Jenny Lewis
Jenny Lewis made a splash this summer with her hit “Just One Of The Guys.” This song actually took me a couple listens to fall in love with. I wasn’t a fan of the song other than the chorus for the first few listens, but that quickly changed. I would actually listen to it right after Sylvan Esso, and her take on her vocal tracks amazed me. Just a ‘normal, folk-ish, pop song’ but she’s going out of the box on her approach, sowing the true grittiness of her voice at times, singing with distortion, and naturally shows the range of talent that Jenny Lewis has. After hearing this song I went ahead and listened to her album, The Voyager, where I found the song “Slippery Slopes,” and truly appreciated all of the little things she is doing in each song she releases. I could listen to ant song of hers and find something new each time that I love, that I might’ve missed the listen prior.
“Ordinary” – Copeland
So from what I’ve heard Copeland was a pretty big deal in the early-mid 2000s. At this point I was mainly playing sports all of the time, and music -wise I was only listening to hip-hop and didn’t know about much else. So I actually didn’t know of Copeland until earlier this year when my girlfriend told me they were her favorite band. So I listened, and I liked them, but I wasn’t in love. A couple weeks later, they announce their return and released a new song “Ordinary,” and I remember I actually got chills from this song. Aaron’s vocals swept through my body, and during that first listen, I felt as if I was paralyzed. A similar feeling that I had with the Hozier song I mentioned earlier, but the lyrics on this song had a little more substance to them. When the lyrics stop, and the piano takes over, my mind was completely empty. This never happens, as something is always going through my head, but during that first listen of “Ordinary,” it was a feeling I never had. After this experience, I had to go back through their catalog to see what I missed out on in the 2000s, and I missed a lot. But, I find myself listening to them more and more, almost once a day, and truly one of my favorites to listen to.
“Kanye” – The Chainsmokers + SirenXX
So earlier the Chainsmokers released their song “Selfie,” and I absolutely hated it. There wasn’t a part of it I enjoyed, and the more I heard it played, or even blogged about irked me. One week on Spotify, looking through the new releases, I see they released this song, “Kanye.” Completely got rid of my disgust towards them, as Kanye is one of my favorite people and musicians, and thought that it must be good. So I gave it a listen, and I’m so glad I did. An upbeat piano keeps the song going, while the vocals scream “I wanna be like Kanye, I’ll be the king of me always,” and I soon found myself dancing and a huge smile across my face. I couldn’t stop listening to this song, and I pretty much forget that they made “Selfie,” and when I do remember, I don’t care because I love this song so much.
“Telemiscommunications” – deadmau5 + Imogen Heap
Most of the population knows Imogen Heap only from the Jason Derulo sample, “Watcha Say,” and they’re truly missing out. She has one of the most beautiful and captivating voices I’ve ever heard. I was listening to the new deadmau5 album, and I was pleasantly surprised when I saw her name on the tracklist. I decided to wait to listen until it came on, and it was one of the best decisions I’ve made. The anticipation I created for myself was at such an unreal level and was not let down. I can’t give her all of the credit on this song though, as deadmau5 deserves a lot of it for the amazing production, and reaching out to Imogen Heap to collaborate on this beautiful ballad.
“Say You Love Me” – Jessie Ware
Right now, in today’s pop music, if I had to pick my favorite female vocalist it would be Jessie Ware. No ifs, ands, or buts about it. An untraditional love ballad, “Say You Love Me,” shows off the raw power and emotion she has in her vocals. Early is the song, you can hear the dynamics heighten, and all of a sudden she rips it away and goes back to her soft and delicate style. Before the 3:00 minute mark, the guitar starts to build suspense, and more vocals are added into the mix, and it hits. The power and emotion of her voice is back, paired with a choir in the background, and she can do no wrong. She actually settles back down and brings all of her emotions together to finish out the song with the softer and more delicate style she opens with. Then I found out that she wrote this song with Ed Sheeran, and loved it even more. Her album Tough Love is released on October 24th, and cannot wait to hear the whole album in one sitting.
“Love Me Harder” – Ariana Grande ft. The Weeknd
Last, but not least, Ariana Grande finds herself on this list with one of her newest singles. Her album, My Everything, has a lot of great features on it and I actually couldn’t decide between this song and her song with Donald Glover to put on this list, both are amazing. I decided with this one because this song with The Weeknd has more potential to be a global hit. The Weeknd comes in for the second verse on his own, and his soulful, and seductive vocals fill the airwaves. The duo then plays off one another’s vocal riffs on the chorus, and I remember laughing the first time I heard it because I could tell how much fun they had recording it. After hearing this song, I just wanted to listen to more of the Weeknd because I felt like he was underused on the song, and just can never get enough of his vocals. But as a whole, her album was great, and can see at least 4 singles from this album to hit the top of the charts.
These are an extremely small sample of my favorites I’ve came across this year, but there’s something for everyone on this list and I hope you enjoy! Here’s the Spotify playlist for the songs:
Fresh off of his release of his Let It Go EP, James Bay is preparing to take the world by storm. He was found by a YouTube upload of a performance at a local pub; oh the wonders of the Internet. Now he finds himself joining Hozier on a world tour, one that you don’t want to miss. Starting as a local artist from Hitchin, UK, to a global name, and making his way around the world with another emerging, soon-to-be famous band.
About four months ago, James released Let It Go, a five song EP via Soundcloud. His title track “Let It Go,” was the first I heard of him, and it was a great first impression. I was surfing through a couple music blogs and came across it on multiple sources which made me give it a listen, and I’m glad I did. A soft, smooth, yet powerful song about independence quickly found its way in my daily playlist. Perfect to relax to, gather your thoughts, and become one with yourself.
“If You Ever Want To Be In Love,” takes a complete 180 degree turn, and is an upbeat folk-pop love song. The layers of vocals on the chorus grabbed my attention during my first listen, as well as the background guitar riffs, reminding me of those played by John Mayer. Towards the end of the song, it gets stripped down for a couple seconds, focusing on the vocals and those few seconds gave me chills. I imagine hearing an acapella track by him, or more stripped down songs, and cannot wait for what I hear next.
“Heavy Handed,” is written about him dwelling on the past, something a lot of us do a lot. When it comes to the composition itself, I’m not that big of a fan of this song. The electric guitar hidden beneath the upfront acoustic is nice, but other than that, I’ve heard it all before, and so has everyone else, as its the least played song of his on Soundcloud. But the lyrics. The songwriting is what makes this song special. Almost everyone can relate to dwelling over something in the past that they can do nothing about; whether its a past love, a loss in your family, a fight, career-related, or whatever it may be, James reassures it’ll all be alright.
“Hear Your Heart” starts of with hearing the sweeps across the neck of the guitar, making it feel as if your right in front of him playing it for you. Soft, raspy vocals sing the lyrics of this love song, kept in time with the shakers in the background. James reassures again that everything will be alright in the present and future, you just have to let everything go. He also sings how its much easier to move on, when you have someone by your side, wanting to be there with every move you make.
The final song on the EP, “Running,” is a simple, yet powerful love song driven by his soft vocals and piano. Written about him running home being next to his love, when he is needed the most. Running to the place he belongs, by his love’s side. Everyone has that one person who’ll they’ll drop everything in a heartbeat for. This song is written for them, the loves of our lives. This song hit me hard the first time I heard it this summer, and made me realize how lucky I was to have the friends and family I do; it put into perspective that I owe a lot of thank you’s (more than I could ever say) for all of the support they’ve given me through the thick and thin.
Go ahead and check out James’ Soundcloud page, and listen to the EP yourself, as well as his new single “Hold Back the River.”
Dior muse Jennifer Lawrence is the epitome of Hollywood glamour on the sultry cover of Vanity Fair’s November issue, where she poses in a pool wearing nothing but red lipstick and a diamond choker. In a behind-the-scenes video of the cover shoot, Lawrence can be seen modeling a variety of form-fitting dresses including a black open back crystal-embellished number. “The Hunger Games” star opens up about her reality TV obsession, her favorite comedian and the nude photo hacking which she describes as a “sex crime.” You can read the 3,000 word article when the issue hits newsstands in New York and Los Angeles October 9, and nationwide October 14.
Images via Vanity Fair
Leather goods label Mansur Gavriel has managed to maintain cult status two years after its inception thanks to the timeless style and craftsmanship of its minimalist carryalls. The NYC-based label’s current offering of matte patent Italian leather bucket bags, backpacks and totes are getting a revamp for Spring 2015 with the addition of leather-trimmed canvas and pebbled leather styles. The canvas styles will be priced between $410 for the mini bucket bag to $675 for the backpack, while prices for the pebbled leather styles will range from $395 to $495.
Image via Style.com
So it was October 2nd, I get back from work and haven’t been able to check Twitter for what’s happening around the music world all day, when I come across something. I’m scrolling through Twitter, from posts at least 4 or 5 hours prior, and what do I find? That Childish Gambino, aka Donald Glover, has released his new mixtape. If I wasn’t already sitting down I would’ve fallen over with joy, there’s no doubt to that.
Everyone that knows me knows how much I love Kanye West, and all assume he’s my favorite..well, Donald Glover tops him by far. It’s not even close. The fact that he’s so successful in anything he tries, whether its music, acting, stand up, or improv, he motivates me to be just as successful with anything I do. He’s more than just my favorite musicians, but is one of the most influential icons in my life. So when I saw his new mixtape released, without him ever having a release date, it instantly brightened my day.
So this mixtape is something that has never been done, and let me repeat, never. His mixtapes in the past have been bright and quirky remixes, some originals, and more building a brand/team/family of artists. This one is way different for him, and any other rapper. The first half of this mixtape is entitled “STN MTN,” which stands for Stone Mountain, a natural attraction in the Atlanta area, where Donald is from. The second half is entitled “Kauai,” which is the oldest of the main Hawaiian islands.
STN MTN, is a Gangsta Grillz produced mixtape, something rap fans will recognize and appreciate as some of the greatest projects in hip-hop has been produced by Gangsta Grillz. The STN MTN part is songs 1-11, and all eleven songs are impressive. The first song “Dream/Southern Hospitality/Partna Dem” starts off saying “I had a dream I ran Atlanta,” and you get a reminiscent vibe of Donald looking back on his hometown, and wondering “what if?” What if Donald had stayed in Atlanta and pursued music from the start instead of venturing to NYC, writing for 30 rock, and then finding his musical talent? Nobody knows what would’ve happened, Donald doesn’t even know what would’ve happened, but I think this is an attempt for him to try and relive what could’ve been.
A lot of hip-hop fans don’t really care for Donald because they claim he doesn’t have an identity, he sings, he raps, he acts, he does stand up, who is he? But then they catch themselves singing along to 3005, or Oakland, and think wait, he actually is good, but they rarely admit to it. The first half of the mixtape, he shows off his rap skills where he can impress any rap fan with songs: “F***s Given,” “No Small Talk,” “Money Baby,” his remix of “Move That Dope,” “Poke,” or “AssShots.” Sprinkled within the more of traditional rap songs, he shows off his singing in “Sober,” “Pop Thieves,” “Retro,” and “The Palisades.”
The transition into Kauai, which is the half album at the end of the free project, starts with “Late Night in Kauai,” featuring Jaden Smith. Yes, you read that right, Jaden Smith. On the artwork it actually says “ft. Jaden Smith as ‘The Boy.’” The Boy is a fictional character that Donald made for his movie script for his album Because the Internet. Now we have a face to the name. Now if only he would shoot it into an actual movie, which I think and hope is his next project.
Kauai is a lot shorter than the STN MTN part because I think Donald wanted to address the doubters first, and give them all of the rap they wanted and asked for. Then made the second half for the rest of his fans, giving them 6 tracks that are pretty much perfect. The only track on it that I don’t like is, “Childish Gambino @ The Atrium,” which is a radio commercial for his show at the Atrium in ATL, something that would’ve been made if he were to pursue music early on in his hometown, and had to rely on radio promotions for his concerts, rather than label promotion nowadays.
This whole project, both sides, is a must listen. No matter which Donald you prefer. The mixtape shows off Donald’s personality and character perfectly. He wasn’t just going to sing or just rap, that’s not him, he does both and he’s going to stand by it, no matter how much fans want one or the other.
Some of my favorite tracks off of this mixtape are:
I had already hear “Sober” a couple weeks ago when Donald released it, so this was the first new ‘singing’ track of his, and after hearing it I knew this was going to be a special mixtape. Easily 30 seconds into the song, I found myself nodding my head to the beat, and not even a minute in I found myself singing the lyrics. Seagulls in the background, waves crashing, Donald takes us to Kauai with this one. “When your song is on, and your hands in mine, and I’m holding ya tight, make it feel good.” Donald follows up his hit love song “3005″ with this one, and could find itself into airwaves soon enough.
Another song from “singing Donald,” but this is actually my favorite song on the mixtape, and reminds me so much of earlier songs in his catalogue. The falsetto chorus mixed with the witty, clever verses, Donald sets his bar high 6 songs into the mixtape. This is another one I found myself singing along to by the end of my first listen.
This song comes in with the traditional Gangsta Grillz tags on the song, which normally I hate tags but these I’ve always liked. This song has a catchy hook, but that’s not where the focus is, you can tell Donald focused a lot on lyrics and production most, showing everyone he indeed can rap.
“3005 (Beach Picnic Remix)”
So I saw this on the tracklist and my first reaction to seeing it was, eh. The original song already had an emotional connection with me, and I didn’t want it to be ruined. I went into it with an open mind, and here it enters “No matter what you say or what you do….” pitch shifted, and sped up, which I loved instantly. The rest of the song doesn’t have too much going on which bored me a little.
BUT, when the screenplay was made for Because the Internet, there’s a point that it says “Play Secret Song Here.” After this, the Internet went wild trying to look through the coding of his website for anymore info, but after months of investigation, nothing was found. I assume everyone sort of dismissed it, giving up on finding it, I know I did, but that’s until this week. Donald reopened the case by tweeting this song would help with the secret song. Begin the frantic search now. Is it a real song, hidden somewhere out in the Web, or is it going to remain a forever mystery alongside “Roscoe’s Wetsuit?”
“You Don’t Have to Call”
Another beautiful song made by Donald. As it begins the song is stripped down to his vocals alongside some snapping. Slowly enters the piano alongside chimes, and then the drums. And piece by piece, the song comes to life. After his falsetto intro, Donald narrates a story to the instrumentation, something he became familiar with while recording Because the Internet.
The closing song on the mixtape/album is a remix to Lil Wayne’s “Go DJ.” This one hit a special place for me because it was one of the first songs that got me into rap. Donald knows this would draw attention to himself, taking on a rap classic. Within his first lines, Donald plays around with his vocals as he plays around with pronunciation and definitely drew a laugh form me; a laugh because I thought “alright, Donald, I see what you’re doing here.” About 3 minutes of rapping, closing out the project strong, then the last minute and a half to two minutes, Donald shouts out DJs from all over the country. Something artists don’t really do, unless they’re appearing on their radio shows, but never “just because.”
Go download and listen to STN MTN/Kauai here:
Up and coming R&B singer/hip-hop cover artist/pop star, Niykee Heaton, is finding herself quickly climbing the charts as her debut album Bad Intentions, topped the Billboard Real Time Twitter charts when released this past week. She also partnered with the new label, All Def Digital, ran by Def-Jam creator Russell Simmons. The label finds talents through YouTube and works with promotion and artist development afterwards. Heaton’s track “Bad Intentions,” actually was awarded Single of the Week in May, and has seen over 6+ Million new listeners across both YouTube and Spotify since its release.
With that being said, it would be worth noticing Heaton’s career on YouTube was going to be successful no matter what, covering well known hip hop songs on her own, without any outside help. Some of her standout covers are Kendrick Lamar’s “Swimming Pools,” Future’s “Turn On the Lights,” and “Poetic Justice,” by Kendrick Lamar and Drake. Its quite a feat for her to be able to cross these songs over into acoustic covers, because with hip hop there’s not always chords, its just a pattern of different loops, and not always composed as other genres.
Now to her debut album Bad Intentions. While being signed to All Def Digital, she got to choose which imprint of Universal she signed to, and Niykee chose Capitol Records. With one of the most star studded in line-ups in music, Capitol added more versatility to their label with the R&B, Soul, and Pop star in Niykee Heaton. Her debut EP with Capitol, has 6 songs, with her lead single “Bad Intentions,” which is the one that got Russell Simmons’ attention when submitted to his label.
The first song on the album “Sober,” Niykee starts off almost rapping, bringing back her roots of her hip hop covers onto the album. Then all of a sudden when the chorus comes in she flips the switch and goes into ‘R&B Niykee,” where she channels her inner-Rihanna. This one song, which most importantly is her intro song, she shows she can wear whatever hat is thrown her way. If she wants to rap, she can, if she wants to slow things down and seduce the listeners, she most certainly can. “Champagne,” sounds like it could easily be remixed by Schoolboy Q, Childish Gambino, Kendrick Lamar, A$AP Rocky, or even Drake and would be a huge success. Hearing her on this song has me imagining of a Drake collaboration, resembling the professional relationship he has with Rihanna, turning everything they touch into gold…and sometimes platinum.
Then comes “Bad Intentions.” The first time I heard this over the summer, I was speechless. I had no clue who she was. But she made this beautiful, slow, smooth, angelic, and seductive song and that’s all that mattered. Throughout the verses Niykee layers on some background vocals of her own and its just unfair on how great it sounds. Kudos to Niykee, her producer, Russell Simmons, ADD, Capitol, and Universal, they have a star in the making and her lead single is the perfect example of the work she’ll release in the future. The next single “Skin Tight,” comes in with some familiar synths that sound a lot like the synths from “Look At Me Now” by Chris Brown, Lil Wayne and Busta Rhymes. I’m not sure if I should call this one a love ballad, but more of a love appreciation song. Hitting all of the Rihanna comparisons in this song with a little bit of Cher Lloyd thrown in her sound as well.
“Rolling Stone,” is actually my favorite song on the album. Going back to her acoustic roots on this song with a choir of her own vocals, I hear a repeating comparison. Her vocals sound so similar to Rihanna’s vocals in “What’s My Name?” featuring Drake. This right here is why I think the Niykee/Drake collaboration would do exceptionally well. The last song on her debut album, “Villa,” is another acoustic, R&B, pop mashup that only a few people could pull off. Joined by shakers, salsa music, a horn section, gives this song a Southern American vibe, reassuring me she has been inspired by Rihanna and learning from the best.
I can’t wait to hear more from Niykee soon. Until then I’ll be listening to this album non-stop, along with rewatching all of her YouTube covers. This is not an artist to sleep on, as I can guarantee she will hit radio airwaves soon and become a household name.
Listen to her debut album, Bad Intentions, here:
The last day of Paris Fashion Week marked the end of a colorful week filled with headline-making celeb drama and unique fashion shows. Here are #wow moments that took place during Paris Fashion Week.
Jean Paul Gaultier’s final runway show featured a beauty pageant. Gaultier once again incorporated his love for reality competitions into his presentation, as last year’s show gave a nod to “Dancing with the Stars.”
Kimye booed by photographers at Lanvin: Kim and Kanye made a number of appearances during Paris Fashion Week, but it was their appearance at Lanvin that made numerous headlines. Photographers booed the famous couple for arriving forty minutes after the show was scheduled to begin, however, according to Kanye, they were not late, but were meeting with Lanvin designer Alber Elbaz per his request.
In other Kimye news, baby North West made her fashion week debut in the front row at Balenciaga, and made a second appearance in the front row at Givenchy, where North and Kim sported matching black lace dresses.
Festival Style at Dries van Noten: After sending his models down the runway, the Belgian designer gave a nod to festival picnics by having his models lounge on the grass runway in a scene straight from Coachella.
Images via The Huffington Post, The New York Times, Vanity Fair, New York Daily News
Last week I wrote an excerpt on the new duo You + Me. For those that didn’t see, the duo consists of pop star Pink, and Dallas Green, the lead singer of City and Colour. It’s not a surprise that the two pop singers got together to form a duo, but it is strange in the matter of how they did it.
Their first single “You and Me,” is a dark folk love ballad. Two pop stars join forces for a love ballad, but wait, its folk not pop. An odd combo. At first listen I was mesmerized. The two go out of their comfort zone and make a beautiful piece of music, that impresses me more and more after each listen. In my opinion, this song is more powerful than any pop composition they could make with these lyrics. The instrumentation sounds so…depressing, but the lyrics say otherwise, confirming the love within the song. This juxtaposition stopped me in my tracks, because when the first chords come in I thought it would be a sad, more honest folk song. But I was wrong. Really wrong. It’s actually a positive, reassuring folk love ballad. You know when you listen to a new song so many times you start to feel animosity towards that song, or just get bored with it? Well, I don’t think that’s actually ever going to happen with this song.
The next single “Capsized,” was just released, and it’s another dark sounding song. The slower tempo, chord progression, and background ambience creates this mysterious and unknown. This is actually my least favorite of the three singles released, but I still do enjoy it. I’m madly in love with Pink’s vocals and background vocals on this song and personally I think she steals the show on this one.
The third single released “Break the Cycle,” sounds more of what we are used to from Pink. Vibrant strings welcome you into this song followed by Pink’s perfect vocals. The harmony created by her and Dallas during the chorus is unreal. Almost as if they were created to join forces and make music together. Again, not a pop song for the two, more of a singer-songwriter and folk vibe on this one, but still some pop elements thrown within. This is my favorite song released by the duo. When the chorus comes in Pink and Dallas’s vocals are joined by more of an upbeat, syncopated string and guitar part that builds up power and emotion soon to be collapse back down with the use of the strings. In no way can my words describe the beauty of their harmonies, so if you haven’t heard anything by the duo, I highly suggest you listen to this song first, you’ll fall in love.
October 14 we get their debut album, Rose Ave., in its entirety, in which I will write a review of the whole piece. Until then I will be updating their playlist on Spotify with any new released singles between now and then.
Let us know what you think of the three singles are, and any expectations you have for the album!
Designers at Paris Fashion Week proved that monochrome is anything but boring, as there was no shortage of dramatic looks on the Spring 2015 runways. Alexander Wang presented ladylike pastels with a sexy twist at Balenciaga, most notably a sheer peach fishnet dress paired with a matching trench. Balmain’s Olivier Rousteing presented tailored dresses and pantsuits featuring sexy cutouts along the midriff and bust. Rei Kawakubo took monochrome to a new level at Comme des Garçons with an all-red collection of sculptural dresses and coats complemented by equally dramatic hairstyles. Isabel Marant played with texture by incorporating fringe and pleat details into chic festival-ready dresses. Last, but not least, Alber Elbaz presented a wearable collection of flowing, elegant evening looks at Lanvin.
Comme des Garçons
Images via Style.com
Military-inspired looks were a hot trend on the Spring 2015 runways this fashion month, and we can’t wait to take our pick of the utilitarian styles that are sure to be a wardrobe staple next Spring. Gucci’s militant looks included boyfriend jeans paired with double-breasted jackets featuring brass buttons and gold embroidery. Marc Jacobs’ uniform-inspired collection included pant suits and dresses with cargo pockets and large oval buttons in both utilitarian canvas and luxe silk fabrics. Desert-ready looks in khaki, black and army green, complete with aviator goggles, made a statement at Nicholas K. Standouts at Rag & Bone included parkas in abstract camo prints and a variety of cross-body leather satchels that we couldn’t help but notice would be perfect for festival season. Rodarte’s Mulleavy sisters proved that the sky’s the limit when it comes to reinventing the classic army jacket by adding mermaid-tastic sequined fishnet accents to the sleeves and pockets of neutral canvas jackets.
Rag & Bone
Images via Style.com